PILGRIMS HOSTEL
The design proposal is on the site next to the shrine – connected on the same level, and with plenty of vegetation. We search about the activities of pilgrims, and offer a timeline of activities: the basic ones (sleeping, bath- ing), and some that connect with the spiritual experience (dining, workshops, tea ceremony, meditation/worship). The process started with dispersing the activities on the site to create the design, and connect them in two areas public and private, linked with the semi-public outdoor space.
The sequences were part of the pilgrimage narrative – spiritual journey within the site. From arriving, along the long ramp corridor, to come to the point which is opposite of the public entrance to the temple. And climbing few steps, to reach a garden semi-private, disconnected from the street with the terrace from the hostel. The garden offers three paths – meditation room under ground, with a sky opening that views the shrine. Continuing to the terrace and the reception of the hostel, or continuing to the shrine. After the reception, few steps are climbed to provide accommo- dating space on the same level as the shrine.
Sink
While the shape and function of the sink has remained largely similar throughout its modernization, as a network it has greatly changed through time, perhaps most tangibly expressed in the reduction of the visibility of water in Japanese daily life. Even though water-supply systems were introduced within cities in the Edo Period, daily water management still entailed close human interactions: guarding the water source, lifting water from the well, common laundry activities, etc. Although the widespread introduction of underground water-piping systems and pumps after World War Two enabled the direct delivery of water to individual apartments, wastewater still remained open and thus visible. Further improvements in the closing decades of the twentieth century, in the form of pressure pumps, facilitated universal direct supply, even to multistory buildings. At the same time, grey water and black water are now systematically transported to treatment plants through a sewage system, hidden from sight, before being fed back into rivers or the sea.
Arbed
Machiya in Daita / Kazunari SAKAMOTO
Mori In Jiyugaoka
MORI IN JIYUGAOKA
During the mapping of the various activities, we found that Jiyugaoka has a very season- al characteristic. The areas change over time, from morning to evening during the day and from weekdays to weekends.
Jiyugaoka is known for its trendy, fancy and cute shops and cafe’s that are targeted more towards the women and yet promise to offer a quality ‘Den-en-chofu’ lifestyle to its residents.
In our study, we found that there are not that many gardens or green spaces and this inspired us to create an accommodation that allows one to ‘escape’ into a ‘forest’ in the heart of Jiyugaoka.
The design is an accommodation that personifies ‘living in the forest’. It amplifies luxury living in Jiyugaoka and gives its visitors a feeling of sleeping amidst the trees and isolation in the otherwise crowded surroundings. Through our design we wish to bring back this feeling, to show how import- ant it is to get lost in these experiences and just get away from all the hustle and bustle of everyday life and enjoy the solitude while im- mersed in green.
West Side Highway
It is characteristic circulation in Tokyo that the stress between a highway, which is a huge infrastructure appeared from the present age, and the residential area of the small or middle scale around it. Then this project was considered about the way of the huge building which is adapted to a various demands, including housing, of the city.
We divided the building into three zone: high rise medium rise-low rise. Therefore, we make three level for the building, as it will be seen from the back side and the local street side. These height differences shows communication between the maximum height of the palazzo with the neighborhood site.
Thus we make two contrast facade; back side with the heights difference and vast square for the front facade seen from the highway and main street. In facade, we emphasize the back facade by using terrace and made it randomly configurated. For the front side, vast surface of square with regular small windows. Knowing that the palazzo location is near the highway which mostly blocked, we also put special box as a hollow to catch the attention from the passerby.
We decided 3 layers by composition of existing palazzo and relationship to facing highway. Lower part is for pedestrian, middle part is facing to highway, and above is higher part. This building get the facade that reflect context by articulation of volume and opening. We make a connection with shop in lower part and common space in middle by continuous step and terrace from sectional zoning of program. In upper part, change shape of plan conforming with terrace or articulation of elevation.