Laundry

The importance of laundry as a part of Japanese everyday life has steadily declined, mainly due to the reduction of the time, space, and tools required to perform this household task. This development has not only been caused by technical progress, such as the introduction of electrical washing machines and dryers, but also by demographic and societal developments, in particular the changing role of women in Japanese society. Even though the appearance of coin-operated launderettes in the post-war years, combined sometimes with public baths, introduced a new form of communality, overall the collective aspect of doing laundry chores has decreased drastically from the pre-modern period to the present. Today washing activity is split between a variety of laundry settings and forms, ranging—dependent on the residential environments that coexist in contemporary Japanese society—from minimal washing units, to the use of balconies or bathroom dehumidifiers for drying, to communal spaces.

Aoyama Hills

The assignment is to design a “palazzo” for Tokyo in Aoyama. The site is located between the Aoyama Kitacho Danchi (low-density social housing area) and the Aoyama Dori, which provides a typical urban situation in Tokyo, with high-rises standing along the main commercial street forming a “wall”, protecting the low-rise housing area behind.
The concept of the project is to continue the urban fabric of “wall” and maintain the contrast of the two sides of the site by designing a palazzo with two very different sides, reacting respectively to the different urban situations. The different functions and spaces are organised around a central void. Facing the Aoyama Dori are mainly offices and other public functions, while facing the Danchi area are mainly apartments with a private terrace for each. The apartments take the form of terrace housing in order to adjust to the height difference between the two sides of the site, allowing more light into the spaces at the same time. A structure system of columns and slabs is chosen so that there is more flexibility in accommodating spaces with different dimensions for various functions.

Mother Trap

In the analyze part we had as a case of study a woman with a high degree diploma. She is confronted into two choices, being a mother and have a family or having a career. At last, she chose to be a mother.
By “Mother trap palazzo” project we want to bring a solution for moms like her, who wants to be a mom and have a family but also, make use of her studies and why not keep on working. And in the same time enjoy what all women needs, beauty salons, boutiques, and outdoor places.
That’s why we imagined a building in which a mom could live with her family, take care of her child, work and relax all in one. We wanted it to be a place where a mom doesn’t worry about her child during the day, the kindergarten is just located on the first floor.

D’Agostino House

This is a house with two entrances and a shortcut, situated between an iconic townhouse and a parking lot. Related solely to its neighbor and to Venturi’s large, unrealized D’Agostino House, we opened for a linear tripartite sequence – front garden, living space, and utilities – in which one moves from automotive urbanity to the innermost sanctuary of the human dwelling.
The garden hides behind a façade that nods to its neighbor and whose mere existence is a Venturian feature. You park the car and advance diagonally to the subtle front entrance.
The living space is a large cubic space. Its direction changes abruptly and dramatically breaks up the linearity of the scheme. One glides upward via a broad stair, into the light that flows down from the large windows above.
From here, one moves either up to a second floor bed room or down to the kitchen, from which you may also jpg B escape via a backdoor.