The evolution of the different communis of an ecology typically starts with the available resources, the ʻRes communisʼ. In Inokashira Park, these resources can be considered as the basic foundations of the park. The trees and their shade, the water and its reflection, the birds and their singing – all make up this most primal layer of what can be considered the ʻInokashira Park ecologyʼ. The area of Inokashira Park was formerly restricted to be used solely by the Imperial family. This practice, or ʻPraxis communisʼ, was thus very limited and can even be considered to have been completely restrictive. Only until after the area had been donated to the people and was opened as a park in 1917 were the resources unlocked to the public. But, merely opening a park does not truly make it accessible to the public. Certain facilities, or ʻLex communisʼ, were constructed to allow for the visitors of the park to actually enjoy and experience the Res communis Inokashira Park had to offer. These newly built paths, benched, fences and more, had changed the Praxis communis of the landscape into something that could be practiced by all people visiting. Over time, however, more and more Lex communis was added to the park. Bridges, a variety of benches, many toilets, different paths, restaurants and even a paid zoo and swan-shaped pedalos became a part of the Inokashira Park ecology. Most of these additions did not deal with presenting the resources of the park to its users, however – they simply allowed for the accommodation of many more visitors. Those that did, however, required a fee to access these resources. This is how we encountered Inokashira Park – a theme park for the masses. Having observed the different layers of the three communis of Inokashira Park, simultaneously, we got to understand the way these communis interacted and how much they were dependent on each other. We learned how the practiced Praxis communis was lacking order because of the built Lex communis and, in turn, how the built Lex communis interfered with making the available Res communis accessible to the people. This meant that the Lex communis could be considered the crux within Inokashira Park. Their placements, practicalities and appearances lack consideration regarding its surroundings and usage. By understanding the issues at hand and by analysing its causes, we were able to pinpoint which interventions would have to be made to improve the functionality of the multi-layered ecology of Inokashira Park. Firstly, the built structure of the park is to be clarified and simplified by means of subtraction and adjustment. Certain paths will be removed or redirected; its surface materials changed and their facilities adjusted, so that a smoother flow of the different Praxis communis that are practiced within the park can be realised. As such, these different Praxis communis will be less likely to interfere with each other, without limiting their potential expressions. Secondly, by subtracting certain parts of the park structure, opportunities open up for the placements of new kind of Lex communis. These ʻpocketsʼ will be realised to provide for a better way of experiencing the resources of the park, so that the Praxis communis can truly grasp the Res communis of Inokashira Park.
Mori In Jiyugaoka
MORI IN JIYUGAOKA
During the mapping of the various activities, we found that Jiyugaoka has a very season- al characteristic. The areas change over time, from morning to evening during the day and from weekdays to weekends.
Jiyugaoka is known for its trendy, fancy and cute shops and cafe’s that are targeted more towards the women and yet promise to offer a quality ‘Den-en-chofu’ lifestyle to its residents.
In our study, we found that there are not that many gardens or green spaces and this inspired us to create an accommodation that allows one to ‘escape’ into a ‘forest’ in the heart of Jiyugaoka.
The design is an accommodation that personifies ‘living in the forest’. It amplifies luxury living in Jiyugaoka and gives its visitors a feeling of sleeping amidst the trees and isolation in the otherwise crowded surroundings. Through our design we wish to bring back this feeling, to show how import- ant it is to get lost in these experiences and just get away from all the hustle and bustle of everyday life and enjoy the solitude while im- mersed in green.
Carlos Beires House
The Casa Carlos Bereiras is a most ambivalent building. While partly hidden behind fragile walls on the street sides, the facade tends to dissolve the volume, mostly by the fractured windows, all set at a slight angle.
On the side facing the neighbors, the apparent volume is increased by a wall on top of the building – but with nothing behind it. The circulation within the building is merely a sequence of rooms.
We mainly kept the layout, since we liked it. But we tried to adapt the heavy materials and construction to fit a more Japanese environment.
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INTERNATIONAL FESTIVAL
Ikebukuro is a district known for its diversity with a high number of foreign residents. There are more than 200 hundred Chinese shops around turning Ikebukuro into a new Chinatown spot in Tokyo. Recently, even Chinese New Year events have already occurred in the last few years.
Despite that, the “actual migrant life” faces many strug- gles. According to Rhaman (2018), more than a dozen years after the wave of immigrants that occurred after World War II and in the 1990s, there are still many immigration problems in Japan, such as social dispar- ity and stratification. Many immigrants work and live in industries where labor shortages such as long-term care facilities are problematic, as migrants and plenty of these immigrants send funds to their families living in their own countries to support them. In addition, in many cases, students live in parallel to study Japanese, which is essential for working and living in Japan. Con- sequently, the financial, time, physical, and mental bur- dens are even higher.
Moreover, discrimination and social hindrance due to lack of understanding of the culture and religion of one’s own country can be mentioned. Many immi- grants in Japan belong to Islam, and this may not be accepted by the local people and might feel isolated. In addition, many foods and clothes are rooted in their
own culture, and these incomprehension and smok- ing habits can also be mentioned. There are many oth- er life cycle problems in living in Japan, and there are difficulties due to immigrants at various stages of life, such as childbirth, child-rearing, education costs, and nursing care for the elderly. Due to the various diffi- culties experienced by these immigrants, some feel alienated from living in Japan, and a symbiotic society with improved exclusivity in Japan cannot be realized.
Observing the space formed by immigrants around Ikebukuro Station, we can see that there are mul- tiple areas where restaurants developed by immi- grants from China, South Korea, India, etc. are con- centrated and that many immigrants live in this area. A space that makes you feel strong is formed. On the other hand, there are few opportunities for Japanese people to interact equally as residents living in the same place, not as guests to those stores, as the mul- ticultural exchange festival is held only once a year.
Festivals are the act of shifting the world in which we live from everyday to extraordinary to another level. Russian philosopher Mikhail Bakhtin said that the fes- tival removes the class that socially divides human be- ings in daily life and creates a space where all the people who participate in the festival interact in a classless and equal relationship.
In Japan, immigrants are considered to be one of the classes divided in daily life by various scales such as rich and poor, occupation and homeless. The difference in values is so great that it is thought that this difference cannot be easily filled by just having a conversation in the same space. Given that there is a limit to the inter- action in daily life, providing a classless space that has transitioned from the daily life of festivals, as Bakhtin mentions, is a way immigrants to live in Japan.
Festivals might free from the constant feeling of alien- ation, and deepen awareness of living in the same land by increasing exchanges on an equal footing while having each culture in the place of Japanese and Ikebukuro. The festival calendar in the following pages was made based on a research of festivals held all over the world. Ten countries from Europe, North America, South America and Asia were picked considering the number of foreign residents who live by the region of Tokyo based on the chart bellow. The criteria for selection of festival was not limited by local religion and thought, but accord- ing to events in common all over the worlds, like the lu- nar calendar, solstice, equinox and seasons tradition.
PROBLEMS OF DOSTOEVSKY’S POETICS (1984) MICHAIL BAKHTIN
Immigrants living in Japan have experienced many problems like economic aspects and communications. They feel alienated in life because of the many difficul- ties. If this goes on, a symbiotic society that improves exclusivity can’t be achieved. Mikhail Bakhtin said in the book “Problems of Dostoevsky’s Poetics” that Fes- tival can remove the social class that divides people in daily life. After that, a unique space that all the partic- ipants interact with non-class was formed. Providing this space can decolonize the alienation of immigrants and help to make a symbiotic society.