While highly efficient logistic systems have been established in recent years, the last mile is still carried by human hands. Now that the volume of packages is increasing due to the impact of COVID-19, it is necessary to rethink the working place of essential workers in logistics.
Our proposal is a transportation system for small packages that utilize the existing train network. By utilizing the existing infrastructure and involving local users in the first and last mile, the burden on Essential Workers will be distributed.
In logistics, where more and more packages are being shipped, utilizing existing stock will become more important than building huge warehouses.
We hope this video will give you an opportunity to look back on the current situation around the essential workers.
Staircase
From the Meiji Period to today the techniques of firefighting have shifted from the protection of a district, with large main streets or fire-resistant storehouses providing firebreaks, to en-masse fire-protected buildings, ensuring people’s ability to escape a conflagration. In the post-war period, with the densification of Tokyo, the vertical concrete staircases in multistory buildings—which themselves served as firebreaks along the main streets—became the major escape route, complemented by various types of devices that can be used from balconies or windows. In contemporary high-rises the common circulation system has become host to an entire emergency system, with smoke and gas detectors, alarms connected to ground-floor emergency centers, sprinklers, fireproof staircases, special emergency fire-fighter elevators, and even rooftop helicopter landing-pads.
Along The Road
The assignment is to design a “palazzo” for Tokyo in Sasazuka. The site is characterized by a large elevated expressway right in front of the building. Our design reacts to the difficult site condition by positioning a mix of functions on different levels, corresponding to the quality of that level, or lack thereof. Public, commercial spaces can be found on the ground floor, while parking space is positioned at the level of the expressway, finally, the levels above the expressway, which have the highest spatial quality, are reserved for apartments with a view.
Mother Trap
In the analyze part we had as a case of study a woman with a high degree diploma. She is confronted into two choices, being a mother and have a family or having a career. At last, she chose to be a mother.
By “Mother trap palazzo” project we want to bring a solution for moms like her, who wants to be a mom and have a family but also, make use of her studies and why not keep on working. And in the same time enjoy what all women needs, beauty salons, boutiques, and outdoor places.
That’s why we imagined a building in which a mom could live with her family, take care of her child, work and relax all in one. We wanted it to be a place where a mom doesn’t worry about her child during the day, the kindergarten is just located on the first floor.
Frug House
Both the Frog House and the Gae House played important roles in shaping our design. Generally speking, these two projects can be respectively described as either a chimney with two facades or else a building with a big roof.
The main concept from the Frug House is its ambiguity, with its two facades, or faces. One on these is symmetrical and open, with large “eyes”, and the other is dug-in and shows the complex interior of the house with its various shapes and materials. Both these faces are emphasized in our perspectives. The chimney is kept because of its important position in the Frug House as well as for the design limitations and possibilities it creates. Our idea of a big roof is connected with Bow-Wow’s Gae House. Here, the roof pitch was determined by local regulations in this mostly residential area. The large-size front window makes the house more difficult to “perceive”, and this idea can be traced in both the Frug House and the Gae House.
The foursquare plan derives from the traditional Japanese “ta” character for the shape of a rice field; it consists of a simple division of the square-shaped plan into four equal quadrants. Both staircase and chimney are set in the same quadrant, forcing the stairs to dance round the chimney on the way up or down.
In our pespectives we reveal the ambiguity of our design. The symmetrical facade with its large window and hat-like roof that imitates a typical house shape dominates the first one. The second shows the playful asymmetrical backside.